Luis Torres - [Homepage] @ Wednesday, July 9th 2014, 11:29 AM
...
Jonathan @ Friday, July 11th 2014, 3:33 PM
Deeply dimensional.
Sage Keeler @ Sunday, March 1st 2015, 11:32 PM
Swimming in it
Sage Keeler @ Sunday, March 1st 2015, 11:32 PM
Swimming in it



James Matthew - [Homepage] @ Thursday, August 1st 2013, 3:32 PM
Who are you?
Robert Lorayn @ Thursday, August 1st 2013, 10:38 PM
so nice, love the leaves and bg
Tom Moody @ Tuesday, August 6th 2013, 9:47 AM
Nice - it reminds me of a series of architectural interior paintings Kevin Appel did - but with digital gradients.
Paul @ Tuesday, August 6th 2013, 10:50 PM
Sweet!!!
A Bill Miller @ Wednesday, August 28th 2013, 11:15 AM
prob my fav part is the window/water gradients ____ very interesting texture to me
Jonathan @ Thursday, August 29th 2013, 8:38 PM
Sabrina's work is the visual revelation of reality.


Daniel @ Friday, December 5th 2014, 12:31 AM
I've made it my desktop background because I want to see it all the time! Would love to know how you made it, especially as those shimmery patterns, but respect you might not want to share / cbf


heidi petty - [Homepage] @ Sunday, December 16th 2012, 11:05 PM
Hi everybody
Mary Scahill @ Sunday, February 24th 2013, 2:42 AM
I love this flow



Jeronimo Jimenez @ Saturday, August 25th 2012, 8:23 PM
IIIII ☁ IIIII
Sterling Crispin @ Saturday, August 25th 2012, 10:08 PM
cathedrals of light
Timur Musabay @ Sunday, August 26th 2012, 5:50 PM
sabrina is the best
Mo Marie @ Sunday, August 26th 2012, 8:45 PM
outrageous
David Czyz @ Tuesday, August 28th 2012, 10:19 AM
v nice


Jeremiah Johnson @ Wednesday, June 27th 2012, 10:04 AM
_,..-""-..,_,..-""-..,_,..-""-..,_ http://bit.ly/KMBtsK _,..-""-..,_,..-""-..,_,..-""-..,_
Adam Sammons @ Sunday, July 8th 2012, 4:03 AM
( ) ( )
(* .*)
(”__”)


Mo Marie @ Thursday, June 21st 2012, 8:54 PM
<3


Hugo Scibetta @ Wednesday, April 4th 2012, 4:46 PM
(y)
Francoise Gamma @ Thursday, April 5th 2012, 11:41 AM
__________|||__
A Bill Miller @ Saturday, April 7th 2012, 8:56 AM
^
|


Sterling Crispin @ Thursday, February 23rd 2012, 9:52 PM
<3
Robert Lorayn @ Thursday, February 23rd 2012, 10:07 PM
My glasses are so strong that they regularly create chromatic aberrations so whenever I see small drop shadows I have to move my head around like an owl to see if they're real or not. I'm glad yours are real.
Adam Sammons @ Friday, February 24th 2012, 5:03 AM
wonderful
Patrick Cruz @ Saturday, February 25th 2012, 1:33 AM
: )
Emilio Gomariz @ Tuesday, February 28th 2012, 9:09 PM
Yeah! I think the shadow makes it more interesting, is like an embossing on a LCD, the texture of the water is a must!



Jeremiah Johnson @ Monday, January 16th 2012, 7:48 PM
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Miyo Van Stenis @ Friday, January 20th 2012, 12:27 PM
Noches en el Caribe <3 <3


Nicholas Obrien @ Thursday, December 29th 2011, 11:08 PM
i want this as a repeat pattern quilt
paul @ Friday, December 30th 2011, 12:27 AM
MIRAGE...
Mo Marie @ Thursday, January 5th 2012, 4:09 PM
very inviting<3


Robert Lorayn @ Wednesday, December 14th 2011, 12:50 AM
can i decorate it?
Montag - [Homepage] @ Wednesday, December 14th 2011, 12:52 AM
...
Sabrina Ratte @ Wednesday, December 14th 2011, 1:06 AM
Yes please!!!
paul @ Wednesday, December 14th 2011, 9:00 AM
Deja Vu x2..
Ryder Ripps @ Friday, January 27th 2012, 11:32 AM
perspective is funny with that texture


paul @ Wednesday, November 30th 2011, 7:57 PM
Beautiful Sunset-You get a similar view looking towards the Sange de Christo Mountains from Mt. Capulin,although I'm sure there are plenty of places to get that lil' glimpse of HEAVEN!
Robert Lorayn @ Thursday, December 1st 2011, 2:03 AM
God Sabrina your drawings are absolutely ridiculous. I love seeing them.
paul @ Thursday, December 1st 2011, 9:43 AM
Yea,i realy like your shadow techniques!Depths are nice,and the way you lead the eye is realy pleasing! It adds an air of 'mystique' to your drawings,and your gradients are realy what I like,especialy when you go down to 1%,with what looks like a stochastic feel?NICE!!! I can imagine what you would do with an actual airbrush?!
Sarah Samy @ Tuesday, December 6th 2011, 4:06 PM
Beautiful


paul @ Friday, November 25th 2011, 2:43 AM
Smooth Fades...
paul @ Friday, November 25th 2011, 2:54 AM
Nice contrast in techniques between you and Sarah! You ladies have skills,and these two side by side is realy eye pleasing, and must of taken you both some time? NICE!!!


Mo Marie @ Monday, November 21st 2011, 3:34 PM
C:
Danl Williams - [Homepage] @ Monday, November 21st 2011, 4:43 PM
sexy parking garage/rape spot <3
A Bill Miller @ Monday, November 21st 2011, 6:06 PM
modeling on shadow and light
Ryder Ripps @ Tuesday, November 22nd 2011, 12:40 AM
love this, has drum and bass vibes,,, roni size http://www.youtube.com/watch?v=vXOvMwOJKbA
paul @ Wednesday, November 23rd 2011, 11:20 PM
Deja Vu...


ravi govender - [Homepage] @ Tuesday, November 15th 2011, 9:59 AM
...
paul @ Wednesday, November 16th 2011, 9:15 PM
Love the Color!


paul @ Friday, November 11th 2011, 6:45 AM
EXTRA!!! EXTRA!!!=Hot Off The Press...


Flavio Scutti - [Homepage] @ Monday, October 31st 2011, 4:54 PM
VIDEO CHALLENGE
Flavio Scutti - [Homepage] @ Monday, October 31st 2011, 4:56 PM
<img src="https://fbcdn-sphotos-a.akamaihd.net/hphotos-ak-ash4/s720x720/393345_10150905552960541_714955540_21504031_1375731196_n.jpg">
Jeremiah Johnson @ Monday, October 31st 2011, 10:12 PM
_love_
paul @ Tuesday, November 1st 2011, 7:32 AM
Nice Airbrush!!
Emilie Gervais @ Tuesday, November 1st 2011, 9:40 AM
<3 wanna live there
Bruce Price @ Tuesday, November 1st 2011, 8:48 PM
A lovely second life getaway. Yahoo too on the airbrush. The orange framed Judd print is tops.

Has a soulful view back there. Bruce
paul @ Wednesday, November 2nd 2011, 1:54 PM
This is a sweet image! HOWEVER,the only thing missing is a nice plant of some sort? Be it palm or hanging,it would look nice next to the orange frame print! But I'm a plant lover,so please don't take that as criticism!Haha!
Sabrina Ratte @ Wednesday, November 2nd 2011, 4:48 PM
Hi Paul, I would have loved drawing a plant, but my drawing skills are still very basic, I only feel comfortable with straight lines! Maybe in a couple months I'll be able to draw curves for the leaves - or find a way to make a square plants :)
Sterling Crispin @ Wednesday, November 2nd 2011, 8:09 PM
yeah go with square plants
paul @ Thursday, November 3rd 2011, 3:11 AM
IDK,you have a soft touch with the airbrush! Does'nt seem you would have issues with your skware plants? haha! Even a square planter w/straight line bamboo would look good,w maybe a spot to cast shadow play, not that you need it! Very Inviting nonetheless!!!
paul @ Thursday, November 3rd 2011, 3:17 AM
Personaly,I favor pencil n chalk, and to get that fade effect is a challenge,which seems easier to do with oils when blending!?


Mo Marie @ Sunday, October 30th 2011, 8:14 PM
<3
miyovanstenis - [Homepage] @ Monday, October 31st 2011, 9:30 AM
a w e s o m e & l o v e l y <3
paul @ Tuesday, November 1st 2011, 7:44 AM
BEAUTIFUL=Like Driving up to Aspen to catch the fall colors!!!
Ryder Ripps @ Wednesday, November 2nd 2011, 3:27 AM
love the dimension in this one


Krist Wood @ Friday, October 28th 2011, 9:02 AM
Lovely.
A Bill Miller @ Friday, October 28th 2011, 2:01 PM
<3 neon grid + walkway
paul @ Friday, October 28th 2011, 2:06 PM
Path of Enlightenment!!!
Francoise Gamma @ Saturday, October 29th 2011, 1:13 PM
<3
Kareem Lotfy @ Friday, November 11th 2011, 7:36 PM
Great!


A Bill Miller @ Sunday, October 16th 2011, 7:04 PM
smoothe
paul @ Monday, October 17th 2011, 11:56 AM
MONOLITHS-Nice Layering! Like the Gray Scale Fade!!!


A Bill Miller @ Wednesday, October 5th 2011, 8:48 PM
rise/set
paul @ Thursday, October 6th 2011, 5:00 PM
Nice Stochastic Effect in the breaks-Pretty Crescent!
miyovanstenis - [Homepage] @ Monday, October 31st 2011, 9:33 AM
oh! Sabrina you r my favorite !beautiful work!


Sterling Crispin @ Wednesday, September 28th 2011, 2:01 PM
nice
Francoise Gamma @ Wednesday, September 28th 2011, 4:06 PM
Yes
A Bill Miller @ Wednesday, September 28th 2011, 11:13 PM
agree
paul @ Thursday, September 29th 2011, 12:51 AM
ASCENSION...


A Bill Miller @ Saturday, September 24th 2011, 7:14 AM
petri dish
paul @ Saturday, September 24th 2011, 9:21 PM
Nice Emboss Effect!!!
Tom Moody @ Saturday, September 24th 2011, 9:38 PM
Hi, Sabrina,
Your involuntary collaboration with Rick Silva is at
http://www.tommoody.us/archives/2011/09/24/burst-variation/
Sabrina Ratte @ Sunday, September 25th 2011, 11:54 AM
:)
Aaron Harbour - [Homepage] @ Tuesday, December 13th 2011, 6:31 PM
Dear Sabrina,

My name is Aaron Harbour. My partner, Jackie Im and myself are curating an online exhibition titled Two Point Oh for the website Little Paper Planes (http://www.littlepaperplanes.com/). The exhibition will feature work that exists online, accessible via platforms that are sited in the everyday i.e. Google, YouTube, Vimeo, Wikipedia, Facebook and blogs (a full description of the exhibition is below).

We are very interested in featuring your work in the exhibition. We are interested in it's ready availability online and that the works have an existence within well-traveled online circuits. We invite and seek your permission to feature your work in Two Point Oh, yet as a courtesy, I will inform you that we will likely include the work due to it's open viewing nature online.

Feel free to contact us directly via email (Jackie Im: jackieim09@gmail.com or Aaron Harbour: mrharbour@gmail.com).

Thank you for your time.

Best,

Aaron Harbour

The internet has been a site for art since before the now assumed ubiquity of home computing. In the 1990’s and early 2000’s, artists produced net art, often through the means of creating a web page upon which a work or a group of works is sited. While these artists were indeed venturing into new territory, their works were and continue to be challenged with specific limitations – how does one present and maintain a URL? Should the work become archived, does any interactive element then become null and void? Through a combination of institutional exhibition and acquisition, as well as what could be called a short-sightedness of encompassing ubiquity of the internet, many early net art sit as islands in a vast world of websites – rarely visited, stationary and un-linked to.

“Post-internet art,” a phrase coined by artist and curator Marissa Olson and developed by writer Gene McHugh, refers to works in which the internet is not so much a novelty, but rather a banality – a site in which we traverse everyday. The artists in Two Point Oh situate and make use of internet technology that is sited in the everyday – Google Image Search, YouTube, Wikipedia, Vimeo and blogs. These works are in plain sight and/or use tools that are readily accessible, and that act comes with risk: loss of ownership and control of distribution, the mundane limitations of the host website’s interface, commodification of their ‘page views,’ and competition in the form of every other entry on such a space. Yet these works also are rewarded the opportunity to address an audience on their own terms, both temporally and spatially.
Aaron Harbour - [Homepage] @ Tuesday, December 13th 2011, 6:31 PM
Dear Sabrina,

My name is Aaron Harbour. My partner, Jackie Im and myself are curating an online exhibition titled Two Point Oh for the website Little Paper Planes (http://www.littlepaperplanes.com/). The exhibition will feature work that exists online, accessible via platforms that are sited in the everyday i.e. Google, YouTube, Vimeo, Wikipedia, Facebook and blogs (a full description of the exhibition is below).

We are very interested in featuring your work in the exhibition. We are interested in it's ready availability online and that the works have an existence within well-traveled online circuits. We invite and seek your permission to feature your work in Two Point Oh, yet as a courtesy, I will inform you that we will likely include the work due to it's open viewing nature online.

Feel free to contact us directly via email (Jackie Im: jackieim09@gmail.com or Aaron Harbour: mrharbour@gmail.com).

Thank you for your time.

Best,

Aaron Harbour

The internet has been a site for art since before the now assumed ubiquity of home computing. In the 1990’s and early 2000’s, artists produced net art, often through the means of creating a web page upon which a work or a group of works is sited. While these artists were indeed venturing into new territory, their works were and continue to be challenged with specific limitations – how does one present and maintain a URL? Should the work become archived, does any interactive element then become null and void? Through a combination of institutional exhibition and acquisition, as well as what could be called a short-sightedness of encompassing ubiquity of the internet, many early net art sit as islands in a vast world of websites – rarely visited, stationary and un-linked to.

“Post-internet art,” a phrase coined by artist and curator Marissa Olson and developed by writer Gene McHugh, refers to works in which the internet is not so much a novelty, but rather a banality – a site in which we traverse everyday. The artists in Two Point Oh situate and make use of internet technology that is sited in the everyday – Google Image Search, YouTube, Wikipedia, Vimeo and blogs. These works are in plain sight and/or use tools that are readily accessible, and that act comes with risk: loss of ownership and control of distribution, the mundane limitations of the host website’s interface, commodification of their ‘page views,’ and competition in the form of every other entry on such a space. Yet these works also are rewarded the opportunity to address an audience on their own terms, both temporally and spatially.
Aaron Harbour - [Homepage] @ Tuesday, December 13th 2011, 6:32 PM
Dear Sabrina,

My name is Aaron Harbour. My partner, Jackie Im and myself are curating an online exhibition titled Two Point Oh for the website Little Paper Planes (http://www.littlepaperplanes.com/). The exhibition will feature work that exists online, accessible via platforms that are sited in the everyday i.e. Google, YouTube, Vimeo, Wikipedia, Facebook and blogs (a full description of the exhibition is below).

We are very interested in featuring your work in the exhibition. We are interested in it's ready availability online and that the works have an existence within well-traveled online circuits. We invite and seek your permission to feature your work in Two Point Oh, yet as a courtesy, I will inform you that we will likely include the work due to it's open viewing nature online.

Feel free to contact us directly via email (Jackie Im: jackieim09@gmail.com or Aaron Harbour: mrharbour@gmail.com).

Thank you for your time.

Best,

Aaron Harbour

The internet has been a site for art since before the now assumed ubiquity of home computing. In the 1990’s and early 2000’s, artists produced net art, often through the means of creating a web page upon which a work or a group of works is sited. While these artists were indeed venturing into new territory, their works were and continue to be challenged with specific limitations – how does one present and maintain a URL? Should the work become archived, does any interactive element then become null and void? Through a combination of institutional exhibition and acquisition, as well as what could be called a short-sightedness of encompassing ubiquity of the internet, many early net art sit as islands in a vast world of websites – rarely visited, stationary and un-linked to.

“Post-internet art,” a phrase coined by artist and curator Marissa Olson and developed by writer Gene McHugh, refers to works in which the internet is not so much a novelty, but rather a banality – a site in which we traverse everyday. The artists in Two Point Oh situate and make use of internet technology that is sited in the everyday – Google Image Search, YouTube, Wikipedia, Vimeo and blogs. These works are in plain sight and/or use tools that are readily accessible, and that act comes with risk: loss of ownership and control of distribution, the mundane limitations of the host website’s interface, commodification of their ‘page views,’ and competition in the form of every other entry on such a space. Yet these works also are rewarded the opportunity to address an audience on their own terms, both temporally and spatially.
Aaron Harbour - [Homepage] @ Tuesday, December 13th 2011, 6:33 PM
Dear Sabrina,

My name is Aaron Harbour. My partner, Jackie Im and myself are curating an online exhibition titled Two Point Oh for the website Little Paper Planes (http://www.littlepaperplanes.com/). The exhibition will feature work that exists online, accessible via platforms that are sited in the everyday i.e. Google, YouTube, Vimeo, Wikipedia, Facebook and blogs (a full description of the exhibition is below).

We are very interested in featuring your work in the exhibition. We are interested in it's ready availability online and that the works have an existence within well-traveled online circuits. We invite and seek your permission to feature your work in Two Point Oh, yet as a courtesy, I will inform you that we will likely include the work due to it's open viewing nature online.

Feel free to contact us directly via email (Jackie Im: jackieim09@gmail.com or Aaron Harbour: mrharbour@gmail.com).

Thank you for your time.

Best,

Aaron Harbour

The internet has been a site for art since before the now assumed ubiquity of home computing. In the 1990’s and early 2000’s, artists produced net art, often through the means of creating a web page upon which a work or a group of works is sited. While these artists were indeed venturing into new territory, their works were and continue to be challenged with specific limitations – how does one present and maintain a URL? Should the work become archived, does any interactive element then become null and void? Through a combination of institutional exhibition and acquisition, as well as what could be called a short-sightedness of encompassing ubiquity of the internet, many early net art sit as islands in a vast world of websites – rarely visited, stationary and un-linked to.

“Post-internet art,” a phrase coined by artist and curator Marissa Olson and developed by writer Gene McHugh, refers to works in which the internet is not so much a novelty, but rather a banality – a site in which we traverse everyday. The artists in Two Point Oh situate and make use of internet technology that is sited in the everyday – Google Image Search, YouTube, Wikipedia, Vimeo and blogs. These works are in plain sight and/or use tools that are readily accessible, and that act comes with risk: loss of ownership and control of distribution, the mundane limitations of the host website’s interface, commodification of their ‘page views,’ and competition in the form of every other entry on such a space. Yet these works also are rewarded the opportunity to address an audience on their own terms, both temporally and spatially.


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